'An essay on the first stanza of A game of chess Essay\r'

' through with(predicate) calling this verse form ‘A racy of deceiver’, Eliot continues with the al-Qaida he starts in ‘The burial of the lifeless’ of people who be pin down in a waste product and ma baron no effort to escape it, so ar therefore stuck wish well a those in a check-mate during a real game of chess. The title is also a fibre to ‘Women beware women’ by Middletone, a level in which a mother-in-law is playing chess, unconscious(predicate) that each hunt down she makes on the chess board is matched by a move in the seduction of her daughter-in-law by the duke in the paper.\r\nThe reference to Middleton’s ‘Women beware women’ gives a depiction of passion and lust which Eliot uses as a contrast in the poem. In the first stanza, Eliot describes a dwell that is in an elaborate way decorated and filled with beautiful items such(prenominal) as, â€Å"Sevenbranched candelabra” and â€Å"Vials of iv ory and coloured glass. ” steady though the room is decorated expensively, by listing the expensive items, he devalues them use bathos and parodying the woman’s efforts to perform a room that is honest of staggering items and ending up devaluing them.\r\nHe compares the madam’s room to Imogen’s sleeping accommodation in ‘Cymbe caudex,’ with the mention of cupids, symbols of kip down. To test the fact that although the woman has them, they are not full of life like the ones in Imogen’s bedroom. The woman in the room, a metaphor for people in the wasteland, is completely bleached and Eliot shows us that he disapproves of this through his comparison of her with people, such as Cleopatra, who are symbols of true art and passion.\r\nHe writes, â€Å"The moderate she sat in, like a burnished throne” in reference to the line from Shakespeare’s ‘Antony and Cleopatra’ that says, â€Å"The barge she sat in, like a burnished throne. ” By doing this, Eliot compares Cleopatra, set forth as being of ‘infinite anatomy’ to the woman which stresses the fact that she is both artificial and sterile. Also, in the lady’s room is an ornamental carv(d mahimahi which Eliot mocks as the dolphin was a medieval symbol of love and something Cleopatra used to describe Antony, yet the woman has it in her sterile room which is discharge of love.\r\nEliot feels that the woman’s representence violates that of those in myth. He shows this using references to Ovid’s story of Philomel. A mythical woman who was modify into a nightingale, after her tongue was outside by her brother in-law king Tereus, to prevent her from telling others that he looted her. He tells of how she cried, â€Å"Jug, jug. ” just how it falls on â€Å"dirty ears” because people in the wasteland cannot understand and therefore continue to go along in their ways and therefo re charge sins as bad as Tereus’ actions.\r\nThrough the story, Eliot shows that true passion is not lento to obtain and like Tiresias, Philomel had to be violated before she could receive an â€Å"inviolable vowelise”. Not only is the room full of lifeless art, it is also an eerie and pitiful place. We are told that the room is infused with colour as it mentions, â€Å"Sea wood fed with copper. ” A chemical substance chemical reaction that, â€Å"Burned immature and orange. ” The use of a chemical reaction reminds us that the room is very celluloid and unnatural. This idea is re-enforced by, â€Å"Strange and synthetic perfume. ”\r\n on the whole of these things create a stuffy atmosphere, virtually blinding because of the bright colours. The presence of the chemical suggests a lack of fresh line of credit and suggests that this woman would be having trouble live another sign that she is barely lively and not truly alive. The nightmare move created in ‘A game of chess’, is an example of the world as Eliot sees it. A capitalist world filled with emotionless people who he feels merely exist to fulfil their temporary and carnal desire. He criticises the woman as rather than essay to escape, she masks the atmosphere with her perfumes.\r\nHe also makes references to â€Å"the unsophisticated scene” from ‘A paradise addled’ by Milton accompanied with the, â€Å"Standards wrought with harvest-tide vines” to show what seems like an effort do by the woman to try to good turn the room from hell into a paradise. But tells that she fails, beginning her descent into madness shown posterior in the poem. Eliot creates this room as a nightmare of the woman and then tells of how she is trapped in it, even though she tries to eliminate with the outside world so desperately that even, â€Å"her hair, Spread out in torrid points, Glowed into words” revealing her desperation to authorize with the outside world.\r\n'