lion Symbol of Saint John, from the daybook of Durrow: Page 334fol. 191v, c. 650-700. illumine hologram on vellum; 9 2/3 x 5 3/4 in. An former(a) gallant hologram from the support half of the seventh century. Produced on vellum pages. Uses only four-spot alter to decorate: red, green, yellow and brown. These colors as come up as the red dot pattern from the lions face, atomic number 18 repeated in the b orders twist. Celtic/Irish interlace mated with a Lion figure in a indite that implies power with its bareheaded teeth as if it were roaring. This page number was utilize at the origin of the section on Saint John. commensurateness is present in the interlace border, each side mirroring the other. Tunc Crucifixerant XPI, from the Book of Kells: Page 335fol. 124r, belatedly 8th to 9th century. Illuminated manuscript on vellum; 9 1/2 x 13 in. A late medieval manuscript from the late eighth to early ninth centuries. risque quality vellum pages were used, though of un even thickness; ranging from thick as leather to so thin to al about be translucent. The school text uses a capacious color palete: purple, lilac, red, pink, green, yellow being those most often used. This folio is a page from the Gospel of Matthew (27:38).
The earn T is very thickening with an animalistic head for the curve of the t and the ledge of the t outstretches to legs on genius end and arms on the other. A Dragons head make love with flames is inserted into the border interlace to the left of the chief(prenominal) T from the text. The border has numerous patterns, almost that are unique and do not r epeat. People in profile have been inserted ! to the interlace as well. The red dots are used for intricate designs environ the text. The text is written... If you want to scram a full essay, order it on our website: OrderCustomPaper.com
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